Thirty-Two Daily Scenes: “Looks Sleepy” Mannerisms of a Courtesan in the Meiji Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Coy” Mannerisms of a Girl in the Meiji Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Precarious” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Gloomy” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Adorable” Mannerisms of a Housewife after 1877 by Yoshitoshi Tsukioka (1888)
“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Thirsty” Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Eager to Meet Somebody” Mannerisms of a Prostitute of the Kaei Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Amused” Mannerisms of a Music Teacher from the Kaei Period by Yoshitoshi Tsukioka (1888)
Thirty-Two Daily Scenes: “Looks Impatient” Mannerisms of a Fireman’s Wife from the Kaei Period by Yoshitoshi Tsukioka (1888)
Hitoshi Kihara by Shigeru Tamura
Itō Chūta by Shigeru Tamura
Set of 3 Cat and Frame Background Illustrations
Set of 3 Morning Glory Frame Background Illustrations and Vectors
Set of 4 Pennant Coralfish Illustrations and Vectors
Thirty-Two Daily Scenes: “Looks Interested in Buying” Mannerisms of a Housewife from the Kaei Period by Yoshitoshi Tsukioka (1888)