Tag: Woman Print

The Courtesan Matsukaze of Õgi-ya at Edo-chō 1-chōme by Komai Yoshinobu (1770)

The Courtesan Matsukaze of Õgi-ya at Edo-chō 1-chōme by Komai Yoshinobu (1770)

A Parading Courtesan by Suzuki Harunobu (1764-72)

A Parading Courtesan by Suzuki Harunobu (1764-72)

Two Beauties Reading a Letter Beside a Panel by Suzuki Harunobu (1764-72)

Two Beauties Reading a Letter Beside a Panel by Suzuki Harunobu (1764-72)

Minamoto-no-Kimitada, from the Representation (mitate) of the Thirty-six Great Poets series by Suzuki Harunobu (1764-72)

Minamoto-no-Kimitada, from the Representation (mitate) of the Thirty-six Great Poets series by Suzuki Harunobu (1764-72)

A Woman in a Black Raincoat by Okumura Masanobu (circa 1736-41)

A Woman in a Black Raincoat by Okumura Masanobu (circa 1736-41)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Thirsty” Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Thirsty” Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Eager to Meet Somebody” Mannerisms of a Prostitute of the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Eager to Meet Somebody” Mannerisms of a Prostitute of the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Amused” Mannerisms of a Music Teacher from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Amused” Mannerisms of a Music Teacher from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Impatient” Mannerisms of a Fireman’s Wife from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Impatient” Mannerisms of a Fireman’s Wife from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Interested in Buying” Mannerisms of a Housewife from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Interested in Buying” Mannerisms of a Housewife from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Delicious” Mannerisms of a Courtesan from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Delicious” Mannerisms of a Courtesan from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Itchy” Mannerisms of a Concubine from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Itchy” Mannerisms of a Concubine from the Kaei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Refreshing” Mannerisms of a Girl from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Refreshing” Mannerisms of a Girl from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Good” Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Good” Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Curious” Mannerisms of a Senior Maid from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Curious” Mannerisms of a Senior Maid from the Tenpo Period by Yoshitoshi Tsukioka (1888)