Tag: Portrait Print

Thirty-Two Daily Scenes: “Looks Good” Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Good” Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Curious” Mannerisms of a Senior Maid from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Curious” Mannerisms of a Senior Maid from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Heavy” Mannerisms of a Fukugawa Waitress from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Heavy” Mannerisms of a Fukugawa Waitress from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cold” Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cold” Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Graceful” Mannerisms of a Beautiful Woman from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Graceful” Mannerisms of a Beautiful Woman from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Heavy” Mannerisms of a Fukugawa Waitress from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Heavy” Mannerisms of a Fukugawa Waitress from the Tenpo Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Hot” Mannerisms of a Housewife from the Bunka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Hot” Mannerisms of a Housewife from the Bunka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cold” Mannerisms of a Concubine from the Bunka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cold” Mannerisms of a Concubine from the Bunka Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Smoky” Mannerisms of a Housewife from the Kyowa Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Smoky” Mannerisms of a Housewife from the Kyowa Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Mannerisms Elegant” Mannerisms of a Court Lady from the Kyowa Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Mannerisms Elegant” Mannerisms of a Court Lady from the Kyowa Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cozy” Mannerisms of a Merchant’s Widow from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cozy” Mannerisms of a Merchant’s Widow from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Painful” Mannerisms of a Courtesan from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Painful” Mannerisms of a Courtesan from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Slovenly” Mannerisms of a Kyoto Geisha from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Slovenly” Mannerisms of a Kyoto Geisha from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Annoying” Mannerisms of a Girl from the Kansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Annoying” Mannerisms of a Girl from the Kansei Period by Yoshitoshi Tsukioka (1888)

Maple by Komura Settai (circa 1938)

Maple by Komura Settai (circa 1938)

Peony by Komura Settai (1942)

Peony by Komura Settai (1942)

Intermission by Kitano Tsunetomi

Intermission by Kitano Tsunetomi

“March, apply lipstick”, from the series the Collection of New Ukiyo-e Beauties by Kitano Tsunetomi (1917-18)

“March, apply lipstick”, from the series the Collection of New Ukiyo-e Beauties by Kitano Tsunetomi (1917-18)