Tag: Japanese (print)

Onoe Kikugoro I as Yoshimine-no-shōshō Koresada by Torii Kiyomitsu (1762)

Onoe Kikugoro I as Yoshimine-no-shōshō Koresada by Torii Kiyomitsu (1762)

Ichimura Kamezō I as the Boatman Kyō-no-Jirō and Segawa Kikunojō II as Midaregami-no-Osen by Torii Kiyomitsu (1761)

Ichimura Kamezō I as the Boatman Kyō-no-Jirō and Segawa Kikunojō II as Midaregami-no-Osen by Torii Kiyomitsu (1761)

The ‘Kikusui’ Section from ‘Taiheiki’ at the Toyotake-za Theatre by Torii Kiyomitsu (circa 1759-60)

The ‘Kikusui’ Section from ‘Taiheiki’ at the Toyotake-za Theatre by Torii Kiyomitsu (circa 1759-60)

A Representation (mitate) of Musashi-no by Torii Kiyohiro (1751-64)

A Representation (mitate) of Musashi-no by Torii Kiyohiro (1751-64)

A Young Dandy Holding a Cherry Branch by Torii Kiyohiro (1751-64)

A Young Dandy Holding a Cherry Branch by Torii Kiyohiro (1751-64)

AThe Actors Segawa Kichiji II and Bandō Hikosa II by Torii Kiyohiro (1756)

AThe Actors Segawa Kichiji II and Bandō Hikosa II by Torii Kiyohiro (1756)

Actor Ichikawa Danjūrō II as Sanada no Yoichi by Torii Kiyomasu II (1725)

Actor Ichikawa Danjūrō II as Sanada no Yoichi by Torii Kiyomasu II (1725)

Thirty-Two Daily Scenes: “Looks Like she Wants a Stroll” Mannerisms of a Housewife in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Like she Wants a Stroll” Mannerisms of a Housewife in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Happy” Mannerisms of a Tokyo Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Happy” Mannerisms of a Tokyo Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Sleepy” Mannerisms of a Courtesan in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Sleepy” Mannerisms of a Courtesan in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Coy” Mannerisms of a Girl in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Coy” Mannerisms of a Girl in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Precarious” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Precarious” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Gloomy” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Gloomy” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Adorable” Mannerisms of a Housewife after 1877 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Adorable” Mannerisms of a Housewife after 1877 by Yoshitoshi Tsukioka (1888)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Thirsty” Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Thirsty” Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period by Yoshitoshi Tsukioka (1888)