Category: Prints

Du quai de la Conférence from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Du quai de la Conférence from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Du pont des Saints-Pères from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Du pont des Saints-Pères from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Des jardins maraîchers de Grenelle from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Des jardins maraîchers de Grenelle from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Rue Beethoven from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Rue Beethoven from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

En haut de la tour from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

En haut de la tour from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Le tour en construction, vue du Trocadéro from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Le tour en construction, vue du Trocadéro from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Les Chantiers de la tour Eiffel from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Les Chantiers de la tour Eiffel from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Frontispice from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Frontispice from Thirty-Six Views of the Eiffel Tower by Henri Rivière (1902)

Thirty-Two Daily Scenes: “Looks Like she Wants a Stroll” Mannerisms of a Housewife in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Like she Wants a Stroll” Mannerisms of a Housewife in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Happy” Mannerisms of a Tokyo Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Happy” Mannerisms of a Tokyo Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Sleepy” Mannerisms of a Courtesan in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Sleepy” Mannerisms of a Courtesan in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Coy” Mannerisms of a Girl in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Coy” Mannerisms of a Girl in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Precarious” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Precarious” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Gloomy” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Gloomy” Mannerisms of a Geisha in the Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Adorable” Mannerisms of a Housewife after 1877 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Adorable” Mannerisms of a Housewife after 1877 by Yoshitoshi Tsukioka (1888)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

“Looks Observant” Mannerisms of Kyoto Waitress from Meiji Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Cool”Mannerisms of a Geisha after 1872/3 by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)

Thirty-Two Daily Scenes: “Looks Embarrassed” Mannerisms of a Nagoya Girl from the Ansei Period by Yoshitoshi Tsukioka (1888)